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信州紬の始まりは、奈良時代に織られていた「あしぎぬ」まで遡ります。
江戸時代初期には、信州の各藩が競って奨励したことから、養蚕が盛んになり、信州全域が紬の織物産地として栄え、毎年京都へ大量の紬が送られていました。
しかしその後紬織物の生産は下火になり、昭和の中頃までは、技術保存の名のもとに、わずかに続けられていたにすぎませんでした。戦後、県や市町村が紬織物の復興に力を入れたため、県下全域で生産が活発になり、高級な反物として、信州紬の名声も次第に高まりました。
Shinshu Tsumugi traces its roots to a silk cloth called ashiginu that was woven in the Nara era (710-794). Because of clan rivalries and incentive given across the province of Shinshu, sericulture was very popular. Pongee production flourished throughout the province large quantities of fabric were dispatched to Kyoto annually.
The production of this fabric fell into gradual decline by the 1920s, with only enough being produced to keep the associate skills alive. After World War II, great efforts were made to revive this cloth, not only by the prefectural authorities but also local authorities and communities, and production once again flourished throughout the region.
Thereafter, this fabric was made with a focus on top quality kimonos, raising awareness of its quality. Most of the cloth produced in many different colors and patterns is for kimono or obi sashes. One extremely special fabric is woven from silk obtained exclusively from wild silkworms.
 Feature
The primary Shinshu Tsumugi products are fabrics for kimonos and obi sashes, in many different colors and patterns. Wild oak silk kimonos, which are 100% produced from the cocoons of Japanese wild oak silk moths gathered in the mountains, can only be found in Shinshu.
 How to make
Shinshu Tsumugi is a plain woven textile made of pre-dyed threads. The warp threads are made from either raw silk, wild oak silk, dupion silk taken from cocoons containing two pupa, or thread spun from silk floss. The weft threads are made from dupion silk or silk floss, and are woven into the warp threads using a hand thrown shuttle. Ikat patterns are dyed by applying and twisting the dye resistant onto the threads by hand.